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| Jackie Mclean | |||||||||||||||||||||||||||||||||
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Mclean's Scene |
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| PRESTIGE PJ-17-8212 | |||||||||||||||||||||||||||||||||
| Japan | |||||||||||||||||||||||||||||||||
| JP￥2480 | |||||||||||||||||||||||||||||||||
The skeleton of modern jazz, resonating somewhere between sharpness and lyricism.MacLean's alto depicts an urban scene. A Japanese reissue of the original Prestige recording by Jackie McLean in 1956. Based on bebop, this is a masterpiece that infuses its own edge and passion. He collaborates with Art Taylor and Mal Waldron, creating a tense ensemble. This is also a recommended album for those new to modern jazz. |
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Credit
- Alto Saxophone - Jackie McLean
- Engineer [Recording] - Rudy Van Gelder
- Piano - Red Garland (A1, A3, B1)
- Bass - Paul Chambers (3) (A1, A3, B1)
- Piano - Mal Waldron (A2, B2, B3)
- Drums - Arthur Taylor
- Trumpet - Bill Hardman (A1, A3, B1)
- Bass - Arthur Phipps
- Liner Notes - Jack Maher
