Listing items: Discounted on 1970/01/01, Label:'ANTILLES' Records Mail Order RECORD CITY Japan
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Label:'ANTILLES' Discount ( in all )

BUY

Various - Red Hot + Rhapsody (The Gershwin Groove)

RnB/Swing, Future Jazz, Downtempo, Hip Hop

Antilles VERCD41 US 1998

JP¥464

Media : Very Good Plus (VG+)

(Not Promo) *The image is not from the actual item.

BUY

Courtney Pine - Underground

Smooth Jazz, Contemporary Jazz

Antilles 314 537 745-2 US 1997

JP¥249

Media : Excellent (EX)

Hype Sticker *The image is not from the actual item.

BUY

Various - Red Hot + Rio

Afro-Cuban Jazz, RnB/Swing, Acid Jazz, Salsa, Latin Jazz, Drum n Bass, House

Antilles, Verve Records 314 533 183-2 Non Japan 1996

JP¥249

Media : Very Good Plus (VG+)

*The image is not from the actual item.

BUY

Courtney Pine - Modern Day Jazz Stories

Drum n Bass, Future Jazz, Downtempo

Antilles 314 529 028-2 US 1995

JP¥249

Media : Very Good Plus (VG+)

Minor Scratch on Media *The image is not from the actual item.

BUY

Courtney Pine - Modern Day Jazz Stories

Drum n Bass, Future Jazz, Downtempo

Antilles PHCR-1382 Japan 1995

JP¥449

Media : Acceptable (VG)

*The image is not from the actual item.

BUY

Splendid Master Gnawa Musicians Of Morocco, Randy Weston - The Splendid Master Gnawa Musicians Of Morocco

African

Antilles 314 521 587-2 US 1994

JP¥1265

Media : Very Good Plus (VG+)

*The image is not from the actual item.

BUY

Bill Lee - She's Gotta Have It - Original Motion Picture Soundtrack

Post Bop, Score

Antilles 314-510 103-2 US 1991

JP¥2980

Media : Very Good Plus (VG+)

Soft Cover (Not Jewell Case) *The image is not from the actual item.

BUY

Ultravox - Systems Of Romance

New Wave, Alternative Rock, Post-Punk, Post-Punk

ANTILLES AN-7069 US 1978

JP¥1480

Media : Excellent (EX), Jacket : Very Good Plus (VG+)

Crease/Crinkle on Cover *The image is not from the actual item.

A turning point masterpiece where the chill of post-punk intertwines with the sparkle of synths

This was the band's final album with John Foxx, and is a key work that marks the transition from guitar-driven post-punk to synth sounds, serving as a bridge to later new wave and synth pop.